Felipe Giuliano studied fine arts at the University of Seville. His installation Driftwood Humans brought recorded accounts by migrants into a room with sculptures, video and presence sensors. Where visitors stood shaped their encounter with the work.
In his short film El vals sin nombre, a melody stirs a pianist’s memories. In opera, he shares the visual design credit with Bruno Arantes for Les Contes d’Hoffmann at the Teatro Colón in Buenos Aires.
For the 9–16 October revival of Eugenio Zanetti’s staging, the theatre credits Bruno Arantes and Felipe Giuliano with visual design.
Teatro Colón ↗He led the art direction of Zarzuela Monumental Hispanidad in San Lorenzo de El Escorial. Pedro Giuliano designed the projections on the town hall and Francisco Matilla wrote the dramaturgy.
Crónica de Abantos ↗FILMETS screened his 2023 short in Badalona. The catalogue singles out its fantasy atmosphere and the closing waltz by Anaél and Sufián Cantilo.
FILMETS Badalona Film Festival ↗He co-directed Wajdi Mouawad’s play with Joana Bressan and Fiona Orioli at Granada’s Teatro Alhambra. Eighteen performers explored the search for one’s origins after a father’s death.
Granada Hoy ↗The Seville gallery announced an installation about migration and displacement, combining sculpture and digital images with recorded testimonies and presence sensors.
Gallo Rojo ↗