Djalal Dufetelle builds digital environments for film, installations and the stage. At Syntroφ he works on spaces that can be seen from a gallery floor and explored in virtual reality. The viewer’s position becomes part of the composition.
On El vals sin nombre he reconstructed camera moves and corrected lens distortion so that the 3D models would fit the filmed material. For the opera Pagliacci he shared the audiovisual development credit with Bruno Arantes, Felipe Giuliano and Pedro Giuliano.
The San Juan theatre credits Dufetelle with audiovisual development alongside Bruno Arantes, Felipe Giuliano and Pedro Giuliano. Eugenio Zanetti’s production ran on 26, 28 and 29 November.
Teatro del Bicentenario · programa, p. 14 ↗For Invernaderos he built digital environments for a Syntroφ installation combining painting, projections and virtual reality. OFFF Sevilla credits Felipe Giuliano with art direction and names Dufetelle and Pedro Giuliano as collaborators.
OFFF Sevilla · Artillería ON ↗The short he worked on as a 3D artist screened in the La Penúltima programme at Badalona’s Teatre Zorrilla. The festival dossier discusses the film’s dreamlike sets and period setting.
FILMETS Badalona Film Festival ↗His modelling work included recovering the camera’s movement and accounting for lens distortion. This made it possible to line up the digital elements with the perspective of each shot.
Escena Inmersiva ↗